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Despite the plug around Disney ’s most late live - action adjustment , Pinocchiodebuted tooverall negatively charged review from critics . Starring Tom Hanks as Gepetto , the Robert Zemeckis - directed celluloid received scathing reviews , with critic pan out everything from the VFX and screenplay to the score and output values .
Thus , Pinocchiojoins a long line of Disney live - military action adaptations that receive a less - than - stellar reception from the industriousness . Most of these films seem uninspired and unnecessary and do n’t contribute anything to the original ’s legacy . Worst of all , establish on the late D23 presentment withMufasa : The Lion KingandPeter Pan & Wendy , the Mouse House shows no sign of stopping .
Aladdin (2019) - 57%
Guy Ritchie is moderately hit - or - overlook with his films . He has a clear gumption of mode in nearly all his project , with a few notable exceptions , include 2019’sAladdin . The film is a aboveboard adaptation of the darling 1992 classic , with a few changes to update the story for a New hearing .
Aladdinreceived mixed reviews from critics , with most praise towards the cast ’s execution and the production time value . However , Ritchie ’s style and counsel clashed with the Disney chemical formula , which many critics agreed contributed to an spotty and ultimately blemished picture .
Maleficent (2014) - 53%
Maleficent isone of the shuddery scoundrel in Disney account . Self - delineate as the " mistress of all evil , " Maleficent was one of picture palace ’s most mystical and cruel villains for years , seemingly inspired by sheer pettiness . 2014 ’s springy - action adaptation gift her a tragic backstory and turned her into an antihero , which rubbed some audiences the wrong way .
The moving-picture show take in motley reviews from critics and audience , but Angelina Jolie get wide acclaim for her performance , as did the film ’s product value and musical score . However , Maleficent ’s tale choices were more divisive , with many questioning the need to turn one of Disney ’s most iconic scoundrel into a sympathetic mother figure .
The Lion King (2019) - 52%
1994’sThe Lion Kingis one of the Mouse House ’s most stunning films and arguablythe crowning jewel of the Disney Renaissance . A modern adaption of Shakespeare’sHamlet , the moving-picture show was advanced and magic , featuring unforgettable theatrical role , tricky music , and a surprisingly thought - provoking message .
None of those sweet elements are present in the 2019 live - action adaptation . Soulless and dull , it exists as a carbon transcript of the original without any of its soul and dynamism . The cast does an admirable movement with their roles , but the film is a cheaper version of a film that did n’t need an updated version anyway .
Alice In Wonderland (2010) - 51%
Once a really innovative and groundbreaking director , Tim Burton is now a simple shadow of his once - creative self . He seems content with delivering the most canonical cinema possible that began with his visually dazzling yet unsatisfying update of one of Disney ’s trippiest classic , Alice in Wonderland .
feature a floor as ludicrous as the titular populace it takes berth in , the moving-picture show is all expressive style and no substance . The cast is impressive , and the output values sumptuous , butAlice in Wonderlandis more a bastardization of C.S. Lewis ’s classic than a worthy adaptation .
Dumbo (2019) - 45%
Dumbofeatures many ofTim Burton ’s most frequent collaborator , including Eva Green and Michael Keaton . The film looks beautiful , proving that Burton still has his hallmark center for ambitious and eye - protrude visuals , and the shape gives it their all . However , it lack the excited punch of its now - iconic predecessor .
1941’sDumbois one of Disney ’s most avant-garde introduction . A calamity that conflate comedy with psychedelic visuals , Dumbois the ultimate underdog story . Yet , the 2019 remake miss any genuine emotion , replacing the original ’s heartbreak with a plastic substitute that call up especially hollow . But since the originalDumbobecame controversial for its racial stereotypes , Burton ’s reimagined version makes the modification to determine the problematic component .
101 Dalmatians (1996) - 41%
1996’s101 Dalmatiansis a pioneer of the live - natural process fever . Starring Glenn Close in her now - iconic turn as Cruella De Vil , the film follows the 1961 animated classic clean closely . The one major difference is that none of the animals speak , thus giving the moving picture a sense of realism .
critic had nothing but praise for Close ’s scenery - chewing execution as one of Disney ’s all - time peachy villains . The film ’s keen costume , hair , and makeup also received plaudits ; however , the plot and pacing contributed to its overall negatively charged reception . Still , it was commercially successful enough to guarantee a sequel ( viaBox Office Mojo ) .
Maleficent: Mistress Of Evil (2019) - 39%
The commercial success ofMaleficentmeant it would eventually receive a sequel . Maleficent : schoolmarm of Evilcontinued the titular fiber ’s chronicle , pushing her out of the antihero territory and unwaveringly into the hero sandwich camp .
Onceone of film ’s near female baddie , Maleficent became a long - suffer and misunderstood hoagie in the Disney remakes . And while the whirl ultimately worked the first time , lightning did n’t coin doubly . Jolie and her co - stars , Elle Fanning and Michelle Pfeiffer , received wide praise for their performances , but even they could n’t rescue the motion-picture show ’s simplistic narrative and the hokey VFX .
102 Dalmatians (2000) - 31%
Glenn Close yield for102 Dalmatians , a sequel to the 1996 hit . The moving-picture show was sillier and more overstuffed , give up the familiar characters of the animated classic and the book it was based on in favor of an original story with legacy characters .
102 Dalmatiansreceived damaging review from critics . Close was once again the clear standout , and the celluloid ’s costumes earned an Academy Award nominating speech . But , critic expressed mental confusion at the film ’s surprising violence while claiming it went on for too long , potentially boring fry .
Alice Through The Looking Glass (2016) - 29%
If 2010’sAlice in Wonderlandwas bad , its 2016 sequel was outright terrible . Despite featuring the same cast , it lacked the few saving grace that deliver its precursor from misery . The sequel recycles composition from the original but fail to integrate them naturally with its smash hit intentions .
The VFX see somehow bad than its predecessor ’s , and Johnny Depp gives one of his laziest and most uninspired performances . Critics pannedAlice Through the Looking Glass , condemning it for dedicate the worst sin a film can make - it ’s boring .
Pinocchio (2022) - 29%
Robert Zemeckis delivered one of his most soulless entries with 2022’sPinocchio . The film somehow cheapens the beloved animated original in its efforts to stay faithful .
Pinnochiolacks any of the master copy ’s charm and sense of wonder . rather , critics deemed it a boring and unnecessary remake that drop the Disney live - action stain to new lows . Pinocchiolacks any of the magic that was once Disney ’s bread and butter , and its visual achievement , although impressive , ca n’t match the sheer spectacle of the repair classic .
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